What Once Was
Performed at Meow Wolf on February 14th, 2026. Performing at Experience Gallery in 2027.
The performance "What Once Was" embraces messiness, moving through the past via spoken word, video, old photographs, and letters from former romantic relationships. The work considers longing and loss, the inheritance of desire, and the quiet shame placed on female sexuality, while asserting a reclaimed female identity.
As a child, I sat on my sister’s 1970s pink shag rug, watching her with her boyfriend. I wanted what I thought I saw—love, attention, belonging. I wanted to be old enough to step into that world. Only later did I understand that adult relationships are far more complicated than the fantasies formed in childhood. They accumulate over time, shaped by memory, rupture, tenderness, and grief.
Video installation and performance allow me to work through repetition and layering—images returning, voices overlapping, gestures reappearing. This cyclical structure mirrors how memory functions: nonlinear, fragmented, and insistent. The past does not arrive neatly; it repeats, interrupts, and resists clarity.
I never tell you I love you on the same day
Banana
I love you
I wanna fuck you
I wanna fuck you in this dress
Why don’t you want to fuck me
Banana
I love you
Please don’t need me on the same day
Banana
I love you
I wanna fuck you
I wanna fuck you in this dress
Why don’t you want to fuck me
Banana
Who comes first after all this time
Banana
I love you
I wanna fuck you
I wanna fuck you in this dress
Why don’t you want to fuck me
Banana
I love you
“Banana, I love you” is a performance about the difficulties of managing a polyamory relationship. For the past 17 years I had been involved in a love relationship with two men - my husband and boyfriend. We are not a threesome,I alone had relationships with both parties. Although there have been many positive experiences to this dynamic, there have been challenges.
This performance is a spoken word presentation while I paint bananas on paper and canvas. I chose the banana because when I first met my husband he wrote “I love you” on a banana. The relationship with my boyfriend is over and we are no longer a significant couple. I understand now the priority I have for my marriage but recognize it’s limitations. The audience participation is of utmost importance to the content of work. I spontaneously presented this work at the Tryst alternative art fair in LA, October 2023 to groups of people as they exited the elevator onto one of the floors of the art fair.
Pool Party
a performance by Hyperlink
In the performance artwork, POOL PARTY 2025!, Hyperlink members Theresa Anderson, Lynné Bowman Cravens, Tobias Fike, Matthew Harris, Alicia Ordal, and Julie Puma use serious play alongside banal subjects such as beach and pool party culture to delve into play as power. Who has access to water, self-care, and nourishment? What are our cultural and societal rules and norms and who gets to break them?